Jennifer Brea is an independent documentary filmmaker based in Los Angeles. She has an AB from Princeton University and was a PhD student at Harvard until a sudden illness left her bedridden. In the aftermath, she rediscovered her first love, film. She is a Sundance Fellow and has been supported by the Sundance Edit & Story Lab, Sundance Catalyst Forum, IFP's Filmmaker Lab, and the Fledgling Lab.
Unrest, her film debut, was awarded a Special Jury Prize at the Paley Center for Media's DocPitch competition and is supported by the Harnisch Foundation, Chicken & Egg Pictures, BRITDOC's Good Pitch, the Tribeca Film Institute, the Fledgling Fund and the Sundance Institute.
Executive Producer & Creative Advisor
Deborah Hoffmann received an Academy Award nomination in 1995 for her documentary, Complaints of a Dutiful Daughter and again for Long Night's Journey into Day in 2000. She was the Executive Producer of the 2016 Oscar nominated short Extremis. She is also a widely acclaimed editor of such classic documentaries as the Oscar winning The Times of Harvey Milk, Ethnic Notions, and Color Adjustment. She has received two National Emmys, a Peabody, a DuPont Columbia Award, and a Rockefeller Fellowship. Deborah was a lecturer at the UC Berkeley Graduate School of Journalism from 2000 till 2009 at which time she had to resign due to ME/CFS. She has served on juries for the Sundance, San Francisco and Mill Valley Film Festivals and on the Independent Spirit Awards, and Gotham Awards. She is a member of the documentary branch of the Academy of Motion Pictures Arts and Sciences.
Lindsey Dryden is an award-winning creative producer and director, and founder of Little By Little Films. She began her career in British TV documentaries in 2004 (BBC, Channel 4, History Channel) before Associate Producing hundreds of short films at Current TV, and then moving into independent films for cinema. Her acclaimed work as a director includes Lost and Sound and Close Your Eyes And Look At Me, and as a producer Unrest and Little Ones. She has made films with and for BBC, Channel 4, Wellcome Trust, Tate, Royal Court Theatre, Royal Shakespeare Company and Hyundai, and her work has premiered at SXSW, True/False, Sundance, Sheffield DocFest, CPH:Dox, DocsDF and Art Of The Real. Most recently, Unrest won a Special Jury Award at Sundance 2017, and Lindsey has previously been nominated Best Female-Directed Film at Sheffield Doc/Fest, Best New UK Filmmaker at Open City Docs, and Best Producer at Underwire. As an impact producer, and a passionate advocate for creative bespoke distribution, she has worked on films including The Man Whose Mind Exploded and Angels & Ghosts, and delivered semi-theatrical campaigns with Picturehouse Cinemas, charities and universities across the UK. A proud member of Queer Producers Collective, Lindsey is a frequent speaker and mentor at film festivals, a Film Lecturer, a recent Filmmaker-In-Residence at Jacob Burns Film Center, a resident at Somerset House Studios and a Fellow of IFP, HotDocs Forum and Guiding Lights. She is currently making art films for Tate (the latest of which appears in the Queer British Art exhibition at Tate Britain), and directing a new hybrid fiction/doc mystery film about an incredible gender outlaw jazz musician.
Patricia E. Gillespie is an award-winning producer/director, based in New York City. She has worked with a diverse array of internationally recognized clients including The Bill and Melinda Gates Foundation and The Leukemia and Lymphoma Society. She began her career working with award-winning documentary filmmakers like Judith Helfand, Jim Brown, and George Stoney. Her most recent film, ABLE, a short piece on autism legislation in New Jersey, received the First Place Wasserman Prize in 2012, while her first film DIRT premiered at the Rubin Museum of Art. Patricia has also worked on award-winning narrative films including 2014's hit thriller BLUE RUIN, which took the Fipresci Prize at Cannes and Filmscience's IN OUR NATURE Starring John Slattery and Jena Malone. In addition to her producing work, Patricia is also an award-winning documentary cinematographer, and a member of the faculty at the New York Film Academy.
Alysa Nahmias is an award-winning producer of documentary and narrative films. Her debut feature documentary about Cuba’s revolutionary architecture, Unfinished Spaces (2011), was broadcast on PBS, HBO Latin America, and Al-Jazeera “Witness,” won a 2012 Independent Spirit Award, numerous film festival prizes, and was selected for Sundance Film Forward. She recently produced the fiction feature No Light and No Land Anywhere by director Amber Sealey with executive producer Miranda July, which won a Special Jury Prize at the 2016 L.A. Film Festival. Her documentary producing credits include the Kino Lorber and PBS American Masters release Afternoon of a Faun: Tanaquil Le Clercq directed by Nancy Buirski with creative advisor Martin Scorsese (New York Film Festival, Berlinale, 2013); Shield and Spear by director Petter Ringbom (Hot Docs, Sheffield Doc/Fest, 2014); Academy Award-nominated director Jennifer Redfearn's ITVS/PBS feature Tocando La Luz (Full Frame Jury Prize, 2015); and the Sundance-supported Unrest by director Jennifer Brea (currently in post-production). Nahmias was a 2013 Film Independent Fellow. Her work has been shown at festivals and exhibitions worldwide, including the Venice Biennale and MoMA.
Anne Troldtoft Hjorth
Anne Troldtoft Hjorth began working in film production after receiving a grant from the Danida Grant Committee, founded by the Danish Foreign Ministry. She has been involved in Unrest as co-producer since February 2014, focusing on the film's production in Denmark, but also working on production in the UK and US.
Anne holds a Master's Degree in Journalism and has several years of experience in TV, radio production, and broadcasting, with primary experience from The Danish Broadcasting Corporation. She also has a Master's Degree in Middle East Studies, and has lived and worked in the Middle East for several years. As sub-editor at Arab Reporters for Investigative Journalism (ARIJ), she was based in Amman, Jordan, and most recently she was based in Ramallah, West Bank, while working for a Danish NGO. Documentary production continues to bring her back to the region.
Sam Heesen was born in Sydney Australia, October 6th, 1988. When he was ten days old he moved to Bangladesh, where he lived for four years. From there he moved to Costa Rica, Indonesia, and India. At the age of 14 he moved to California and began working on films and thinking about light. He now works as a cinematographer in Los Angeles.
Kim Roberts, A.C.E. is an Emmy-winning editor of feature documentaries. Her recent work includes The Hunting Ground, American Revolutionary: the Evolution of Grace Lee Boggs, Waiting for 'Superman' (Paramount), Food, Inc. (nominated for a 2010 Oscar®), Autism the Musical (HBO) and Inequality for All (Radius). Kim won an Emmy for Autism the Musical, her third nomination. She was nominated for an Eddie award for Food, Inc. and Waiting for ‘Superman’ from the American Cinema Editors.
Her other films include: Oscar® nominees and Sundance Grand Jury Prize winners Daughter from Danang and Long Night’s Journey Into Day; Last Call at the Oasis (Participant); Two Days in October (Peabody and Emmy winner ’06); Made in L.A. (Emmy winner ’09); The Fall of Fujimori (Sundance ’05); Lost Boys of Sudan (Independent Spirit Award ’04); Daddy & Papa (Sundance), and A Hard Straight (Grand Prize, SXSW). Kim received her Masters Degree in Documentary Film Production from Stanford University, where she won a Student Academy Award.
Emiliano Battista is a London-based film editor of award winning feature documentaries, dramas and television programs. His films include 3 ½ Minutes, Ten Bullets (Special Jury Prize Sundance 2015, HBO); How is your Fish Today? with Chinese novelist and film-maker Xiaolu Guo (Sundance 2007); The Intimacy of Strangers; The Solitary Life of Cranes, Black Out, and Night, Peace with Eva Weber; Elvis Pelvis (Berlin Film Festival); Dolce Vita Africana, a portrait of Malian photographer Malik Sidibe; The Runner by Saeed Taji Farouky; and The Auction House, a tale of two brothers about the oldest auction house in India. Emiliano has also worked on multi-screen art installations shown in major exhibitions and museums worldwide: All That is Solid Melts into Air and No Permanent Address with Mark Boulos.
Bear McCreary studied composition and recording arts at USC, where he was the last protégé of film music legend Elmer Bernstein. McCreary landed his first scoring job out of college with Battlestar Galactica, which earned him a spot on Io9.com’s “Ten Best Science Fiction Composers of All Time.” He currently scores AMC’s The Walking Dead and ABC’s Marvel’s Agents of S.H.I.E.L.D., among others. McCreary won an Emmy for Outstanding Main Title Theme for Da Vinci’s Demons, and also received Emmy nominations for his work on Blacks Sails, Outlander, and Human Target. Some of McCreary’s film credits include Focus Features’ The Forest, Lakeshore Entertainment’s The Boy, and a recent collaboration with producer J.J. Abrams on 10 Cloverfield Lane. With numerous projects in the works, McCreary has validated Bernstein’s instincts, proving himself as one of the most versatile and in-demand composers in the industry.
Sound Designer & Mixer
James LeBrecht is a well-known film and theater sound designer and mixer, author, producer, and disability rights activist. He is the founder of Berkeley Sound Artists (BSA), an audio post-production house. BSA was the sound house for The Blood of Yingzhou District, the 2006 Academy Award® recipient for short documentary. Other credits include The Force, Unrest, The Waiting Room, The Devil and Daniel Johnston, Daughter From Danang, We Were Here, Bang: the Bert Berns Story, and Audrie & Daisy.
Jim’s work as an advocate for the rights of people with disabilities began in high school as a member of Disabled in Action, a pioneering disability rights group. He helped found the Disabled Students Union at UC San Diego in the mid-1970s. Currently, LeBrecht is a board member at the Disability Rights Education & Defense Fund, a leading organization working for the rights of the disabled through education, legislation, and litigation.
EMMY® Award winning documentary filmmaker Sophia Kruz's work has screened at film festivals and museums globally, and broadcast on PBS. Her debut feature documentary LITTLE STONES was awarded Best Documentary at the 2017 Vail Film Festival and Best Foreign Documentary at the 2017 Female Eye Film Festival. Formerly a producer in Detroit Public TV's National Documentary Unit, Kruz produced RIDE THE TIGER, an hour-long documentary on neuroscience and bipolar disorder, and BEYOND THE LIGHT SWITCH, (Hour 3), for national PBS broadcast.
In 2015, Kruz co-founded the non-profit organization Driftseed, which seeks to empower women and girls in the U.S. and around the world through the art of documentary storytelling. Kruz was the recipient of the 2015-2016 University of Michigan Center for the Education of Women Visiting Social Activist fellowship, and her documentary work has been supported by the National Endowment for the Arts, Womanity Foundation, Michigan Council for Arts & Cultural Affairs, and many others.
Emma D. Miller
Emma D. Miller is a producer and programmer. She was previously the programming manager at the Full Frame Documentary Film Festival in Durham, NC, where she oversaw all submissions to the festival and managed the film selection process. She has screened for several international film festivals and consulted on festival strategy, distribution, and outreach for documentary films, including serving as an associate producer on Knife Skills, a short documentary directed by Oscar winner Tom Lennon, currently in post-production.
Emma has worked with Netflix, National Public Radio, PBS's POV, and WNYC's Studio 360, and she has contributed to NPR.org, Documentary Magazine, North Carolina Public Radio, and other outlets as a writer and radio producer. Emma holds a certificate from the Center for Documentary Studies and B.A. from Duke University, where she was a Robertson Scholar.
Laura Hess has a background in theatre and developing brand programming and engagement for Imagination, an experiential advertising agency. A graduate of Northwestern University's Master of Science in Leadership for Creative Enterprises program, she is invested in the evolving interplay between documentary film distribution, marketing, and social impact.
Ruth Ann Harnisch
Donna Fairman Wilson
Regina K. Scully
Leslie Berriman & Nion McEvoy
Reid Hoffmann & Michelle Yee
Mitch and Debbie Menaged
Yvonne Huff Lee & Jason Delane Lee
Alex Usborne & Justin Edgar for 104 films
CHIEF OF STAFF
Regina Clemente is a veteran political organizer, who is now focusing her efforts on creating change through documentary films with attached organizing campaigns. She is currently the Chief of Staff of Shella Films and #MEAction. Prior to this role, she served in leadership roles at Brave New Films, Freedom to Marry, Blue State Digital, the L.A. LGBT Center, and Planned Parenthood. She lives in Los Angeles with her Tortiemese, Luna, loves mid-century design and beautiful plants, and is an avid amateur photographer.
GLOBAL IMPACT DIRECTOR
Laurie Jones is an impact producer and creative. She is thrilled to be the Impact Director for Unrest at Shella Films! Prior to this, she served as the Programs Director at Brave New Films, a social justice documentary film company featuring both feature length and short content. She also worked on the Why Poverty? film campaign and co-organized the York Human Rights Film Festival. As a creative, she is an ensemble member of Wishbone Theatre Collective, and a member of Impro Lab and Ripley Improv. She has a BA in Production Studies in Performing Arts from Clemson University and an MA in Applied Human Rights from the University of York.
US IMPACT CAMPAIGN MANAGER
Erica Ales brings years of experience in the documentary and social impact spaces. She has contributed to impact campaign strategy, implementation and evaluation for a number of documentary films, with topics including LGBTQ rights, girls' global eduction, the US criminal justice and foster care systems, and healing from sexual abuse. Most recently, she worked with Malala Fund to help build and execute the #withMalala global film campaign around the feature documentary, He Named Me Malala. Prior to impact campaign work, Erica helped produce capacity-building short films for local nonprofits in the Washington, DC area. Erica has a passion for using film and innovative media to drive significant and lasting social change.
UK IMPACT PRODUCER
Lucy’s passion for film began as a crew member on two Channel Four feature films for the Children’s Film Unit. During school and university holidays she worked as a runner for various production companies. After graduating with a film degree, Lucy’s freelance roles ranged from stand in actor to costume assistant to production assistant on the feature remake of Alfie. She also cast extras for films including The Da Vinci Code.
After two subsequent years working in the BBC Children’s Press Office and International Licensing team, Lucy engaged her interest in charity work, travelling to Tanzania where she set up and raised funding for a charitable project called Mojakwamoja. This ran for six years, allowing children from Moshi town and a local orphanage to enjoy dance workshops and educational film screenings.
Lucy then worked in advertising at JWT and The Red Brick Road before assuming her role at ITV. Lucy co-developed the channel’s flagship fundraising appeal, Text Santa, for four years, managing all charities involved with it. She liaised with editorial teams, assisted in production of appeal films shown across all ITV channels, and helped the initiative raise over £32 million for 26 UK and International charities. Lucy is now a freelance producer working with comedy acts and on charity films and documentaries. She is very much looking forward to making a difference on Unrest.